Michael Hughes
Mark Klett
'Rephotography'
Check out the Rephotography revolution lead by Mark Klett
Lee Friedlander
Classic use of reflections, shadows and clever observations
Benjamin Ziggy Lee
Stock Photos
On the surface, this series is a documentary of adolescent youths in
their rooms. Their gazes are averted, looking out the window and beyond.
And in their respective “window frames”, an artificial landscape is
constructed using found images online. What will be constructed then?
The constructed/virtual landscape will be a place they would like to go.
The correlating images are found using Google and Flickr.
This series explores how one’s extreme familiarity with his
environment can actually become a psychological entrapment. Singapore is
so small that as Singaporeans, there is a dearth of novelty or
“strangeness” in our surroundings. It also explores how the Internet is
then a medium in which Singaporean youths escape or perceive the world
beyond. But the irony is that this dream is nonetheless, an artificial
construct. But what is most revealing is how the Internet keeps us
within a search bubble, constructing the way we perceive the world. And
this images appropriated online are not representative of the places.
This reveals the incongruity between what is actual and what is being
represented, and how the image is simply a projection.
John Stezaker
John Stezaker’s work re-examines the various relationships to the
photographic image: as documentation of truth, purveyor of memory, and
symbol of modern culture. In his collages, Stezaker appropriates images
found in books, magazines, and postcards and uses them as ‘readymades’.
Through his elegant juxtapositions, Stezaker adopts the content and
contexts of the original images to convey his own witty and poignant
meanings.
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